Brazilian “Gaucho” guitarist Christiano Crochemore released his solo debut album 'Play it Again' (on the Delira Musica label) in 2011. “Gaucho” refers to a person born in the State of Rio Grande do Sul. Since 1986, the blues guitarist/singer has been based in Rio de Janeiro.

Cris Crochemore started playing blues during high school, and by the 1990s was playing with legendary guitarist Bebeco Garcia, founder of “Garotos da Rua” (a pioneer rock & roll band from southern Brazil). Today, Crochemore forcefully compels haunting emotion from his Fender Strat and Gibson Firebird guitars, at the same time creating plenty of feeling with his passionate vocals (all in English). Others on his new 2013 album 'Freeman Blues' include Otavio Rocha (guitar), Beto Werther (drums, backing vocals), Ugo Perrotta (bass).

Unlike his debut album which only had two originals and covers from the likes of J.J. Cale, John Mayall, Steve Winwood, John Lee Hooker and Willie Dixon, Crochemore had a hand in writing all ten songs on 'Freeman Blues.' Guitarist Octavio Rocha collaborated on eight of the new offerings. As implied in the title track, these guys seem clearly like brothers “praying this old devil’s blues.” 

The Brazilian bluesman still personifies a rootsy, laidback style as he sings songs like “Garden of Love” and “Your Touch” with relaxed introspection and warm connection. With a more rural sounding acoustic presentation, “Higher Call” offers optimism, peace and hope. His original blues-rock keeps a strong emphasis on emotional attachments, hard living, new discoveries, and finding redemption. 

Crochemore continues to emphasize a tight quartet sound, and I continue to hear influence of better known bluesmen like J.J. Cale on a song like “Lighthouse.” It establishes a soothing groove with its riffs and multi-tracked vocals. It’s commendable that Crochemore can capture and share those “whispers” from his old guitar on a song like “Caterina Marguerita.” 

With experience, skill and guitar mastery to now make his own expressive statements, Cris’ sophomore 'Freeman Blues' project illustrates the band’s understanding of many styles and how to evoke strength and intensity alongside purity and freshness. The music’s got charm, and I only hope it’s enough to win Crochemore and the Blues Groovers more widespread appeal, success and fame beyond their Brazilian borders. As long as they stick with the blues, they’ll find their way.