With very unpretentious authenticity, "Tradition" was recorded by Ralph Rinzler and Daniel Seeger in 1964 and 1965. Besides featuring Doc himself, this remastered album (previously released as Rounder-0129) has an interesting mix of solo, duo and trio offerings with Doc's wife Rosa Lee Watson, father-in-law Gaither Carlton, cousin Dolly Greer, cousin Tina Greer, brother Arnold Watson, son Merle Watson, and others. As song carriers, the extended family kept their mountain music vibrant. In finest folkloric tradition, songs commonly shared among family and friends would be passed down through many generations.

Nine of the 24 offerings on "Tradition" are simply presented as unaccompanied vocals. Many of the other songs are only accompanied by guitar, banjo or fiddle. With the exception of "The Faithful Soldier," don't expect any vocal harmony. And don't expect all the fiddling or singing to be perfectly in tune either. That's how they keep it gleefully rustic and down-home mountainous. However, there are plenty of joyful surprises to cherish. "Reuben's Train," for example, has the twin banjos of Arnold and Doc frailing along to Gaither's sawing on the fiddle. Gaither doesn't sing much, but when he does on Pretty Saro, Little Maggie, and Jimmy Sutton, he demonstrates the heartfelt charm of a true hillbilly musician.

The Rounder label is to be commended for the reissuance of this significant and important traditional mountain music. The songs represent a special chapter in this family's musical heritage. View the 47 minutes as a timeless gift of songs, ballads, and instrumentals. Copious liner notes from A.L. Lloyd and Ralph Rinzler speak to the objectives of the record as a sampling of local tradition and as an illustration of a family's music. Doc's repertoire represents the three strands of traditional folk, rural professional, and even a commercial sense that grew from the former and other genres. Thus, we are given a sense of lineage and able to explore the roots of Doc Watson's legendary music. Sung and re-sung again, the songs have a lasting and immortal kind of effervescent quality.

Rinzler's notes say that some of the tunes at these mid-60s sessions had rarely been heard outside of the extended family circle. Youngsters and old timers alike came to listen and show appreciation during the recording in the sitting room at Doc's house. Now, with this re-release on CD, folks of all ages can again relax and delight in the Watson Family's traditional music treasure chest. (Joe Ross)